Let There Be
Light
"'LET
THERE BE LIGHT," U. S. Army Film (Professional Medical Film) PMF 5019, was
filmed in the spring of 1945.
The crew included: Director, Major John Huston;
Assistant Director, T/5 Morton
D. Lewis; Writer/Project Officer, Captain Charles A. Kaufman; Editor, Captain
Eric Lawrence; six cameramen, six
electricians and two soundmen, one of
whom was SGT Edward H. Dreyer.
The film was narrated by Walter
Huston.
Technical adviser was Dr. Benjamin
Simon, Clinical Director of the Connecticut
State Hospital and a member of the Committee on Occupational Therapy of the
American Psychiatric Association.
Mason
General Hospital, featured in John Huston's classic film
about shell-shocked GIs is gone now, but a new web site is looking
for photos: "I am looking for
pictures of Mason General Hospital. The exterior of Mason was shown
briefly during John Huston's film, Let There Be Light. The history
of Mason is lengthy, and I will not get into it here. Please see www.edgewoodhospital.com
if you want to read the whole story. If anyone can assist me in finding
more pictures of Mason, please contact me at admin@edgewoodhospital.com." The
film was the third of a series on the
returning soldier: 1) average, 2) physically wounded, and 3) nervously wounded.
Life
Magazine featured an article on the film subject, using frames from the film as illustrations.
Harper's Bazaar Associate Editor Dorothy Wheelock, requesting assistance at the time
while preparing a magazine article, wrote: "We think the film one of the most
important documentaries we have ever
seen."
The film was categorized as
"Restricted" and eventually marked "obsolete." It was unavailable for
public viewing for some 35 years until requests from Motion Picture Association
of America President Jack Valenti and other Hollywood leaders persuaded the Army
to release an edited version in 1981. The reason for the restriction was a
cause for some speculation over the years. The original film clearly
identified the GIs who were undergoing treatment. Releases were obtained,
but the story was that the releases subsequently went missing. Another
speculation was that the Army was worried that releases signed by individuals
undergoing psychiatric treatment might not stand up to a challenge. And
also, regardless of any legal protection, there may have been some real concern
about exposing these wounded soldiers to public view and possible criticism.
The film's dramatic lighting and
impressive camerawork, with smooth dolly shots that looked like studio work, set
a standard for documentary work. The powerful script suited Walter
Huston's narrative style.
In a series of interviews, the GIs
reveal the basis of their individual symptoms, severe depression, stuttering,
paralysis. "Death and the fear of death," pushed men beyond their capacity
and translated into physical symptoms. In treatment that combined group
therapy and hypnosis, several patients are shown dramatically overcoming their
symptoms.
The story brings hope for treatment
and recovery of what we call now post-traumatic-stress syndrome, but it also
ended on a sad note for viewers familiar with this problem. As a bus takes
the recovered soldiers back to their civilian lives, the camera pans to a sad
group of patients waving goodbye. Some of these patients never recovered.
Frames from the film:
|