Help requested




 

 

Topics:

Robert D. Stone

Carl Heuer

Beatnik Actor

Commander 1957-58?

Get Set, Go

Where is Stan Noble?

All Army Flag

Bed Check in France?

Mystery Romance

Seeking Lost Images

What kind of film?

Glenn Miller

Battle footage sought

Artillery film at Ft. Hood

Cameraman Shapiro

The Big Picture Catalog

Commander's Secretary

Truman Bradley

Field Caption Card

Photo Trailer

Vetrone's pictures

Johnny Refugee

Daniel Glick

Norton S. Parker

Singing soldier

"Invasion of Poland"

Public Shelter Living

Original 'Emmy'?

Tidal wave footage

Operation Overseas

The Big Picture

Bruce Hugo

Lloyd Battista

Bob Craven

Gordon A. Benoit

Evolution of the Attack Helicopter

Get Set, Go

Sperry Gyroscope Company

Richard X. Slattery

Tom Hanlon

Pleas Penny, Jr.

Vibo Valenzio

Captain Gaetano Faillace

M1C Signal officer helmet

Alexander J. Malashuk

NORAD Band or Studio Band

Nat Roger Knaster

War-time personal recordings

Col. James B. Buchanan

Frank Hanisko, Sr.

Kinescoping

Why We Fight

Percy Dock Ricks, Jr.

Major Bryerley

21st Decontamination Chemical Company

Mechanized Patrolling

Photos from the Philippine Island campaign

"Prelude to Taps"

World War II cameramen

Juanito Becenti

Richard Wood

Michael Wiater

Bill Finger

Daniel Boone Hunter and David Drake

South Korea Branch of SCPC?

Lester L. Muncher

Bastogne Footage

7796th Signal Photo Company

Hobby Shop

Department of the Army Special Photographic Office

Classified Disney film

Major H. Dale Brockman

Charles E. Wright

Johnny Refugee

Air Force basic training

Larry Frisch

Looking for Edmund B. O'Connell

Atomic Warfare

Films about Vietnam

General Douglas MacArthur

Who makes training films

CPL John E. (Jack) Townsend

Phil Lester

SFC J. D. Devan

George Cukor

Showing training films

Chris Mauriello, Sr.

497th Signal Co.

John Borske

Ohm's Law and the Voltaic Cell

Radar warnings and hazards

Mason General Hospital

William O. Woolridge

Andrew T Kelley

John Wayne

Frank Capra

Omaha Beach

Army Medics

Martin Rader

Frank T. Argondizza

John A. Gathings

Paul Roales

Mark H. Carlton

 

We have questions ... you have questions ... we get more questions than we can answer! Can you help?

Choose any topic heading at right, or scroll down to browse the list.

If you have any answers for any of these queries, please send your information to The Webmaster. Just click here.

If you have information about any topic, send it in even if the query seems outdated. Your information will help put together a more complete picture of Signal Corps Photographic Center/Army Pictorial Center and the people who served.

Photos, links and other information, including names and information from Other Photographic Units, is welcome.

Thanks for visiting www.ArmyPictorialCenter.com

 

How did combat photographer "Stoney" Stone
earn his Bronze Star?

"We have his Bronze Star, but do not know how he won it." Glenn R. Galbraith has a question about his uncle, combat photographer Robert D. "Stoney" Stone, who was a member of Combat Photo Unit #10.

"My grandmother's brother was Robert D. "Stoney" Stone. I'm seeking as much information about him as possible during his service."

 

What work did Carl Heuer produce?

Carl Heuer served as a leiutenant in the Army Pictorial Service during World War II.  Now his nephew, Michael Heuer, wants to know if anyone can identify specific work done by his Uncle Carl. 

See the Carl Heuer page.  If you have information,  send it to The Webmaster. Just click here.

 

 

Who was that beatnik in Hartzer's film?

Who was the actor who portrayed a beatnik in the 1964 film, "Public Shelter Living"?

Bill Geerhart asked the question, as he also provide information about the film's director, James R. Hartzer.

"A number of years ago I wrote an article about a civil defense film called PUBLIC SHELTER 104 (1964). I interviewed the director (James R. Hartzer), but he couldn’t recall who played a specific “beatnik” character who appears in the film. I was wondering if you could post something about this film and request assistance in identifying the actor who plays the beatnik whose name is “Pete McCann” (aka Fallout Shelter Beatnik)? Thank you."

 

See commentary at: http://conelrad.blogspot.com/2011/07/public-shelter-104-appreciation-with.html

James R. Hartzer’s obit: https://www.wallingfordfh.com/obituary/6083981

Find the film on YouTube at: https://www.youtube.com/watch?v=dJ4TdNGcd_c

 

Social Events -- boating, Halloween -- from the 1950s?

Jack Stuart Ott and his wife, Phyllis, appear in photos from the 1950 that look like an APC boating trip and an APC Halloween party.  We don't have any other information and cannot identify any of the other people in the pictures.

If you can provide information, please write to the Webmaster.  Just click here.

Bed Check in France?

This unusual question might apply to Army Pictorial Center personnel, who were often sent on temporary duty around the world and who might know the answer.  Edward K Samson III asked, "Does anyone know what time bed check was for US Army enlisted personnel stationed in France in 1962/63  and if it varied weekday vs. weekend?"

Bed check got an answer from Robert Hiatt, retired Specialist 7, of Grovetown, Georgia:

I found a remarkably fascinating question (on the Help page) requesting info on bed check times in France circa 1962.

Although I was at Cp Zama, Japan, at that period, bed check throughout the Army was a fairly standard 2400 (12 midnight for civilian consumption), but overnight passes were obtainable with little difficulty. I did not get to France (Camp des Loges) until 1966, and bed check had been abolished by then.

I was very much reminded of my first Labor Day in the Army, at Ft. Leonard Wood in 1952. The Army had a STRICT five-and-a-half-day duty week, but the CG had a heart and gave the post the day off. The following Saturday was a full day of training but fair enough. Of course, back then, we got paid just once a month.  I was The ONLY guy in the old two-story wooden barracks on Friday night.  They started straggling back, like in a Beetle Bailey cartoon, next evening. 

I was proud to do my duty but sure about returning home to MO and never more to roam. Heidelberg of 1952 changed my mind.  NEVER wanted to leave there, but had to, four years later.  I had a great career: extended tours in Yokohama, Paris, Saigon. While I was enjoying the 30-day free leaves outta Nam, in July 1972, the Bader-Meinhof Gang set off that bomb next to my previous duty station, Heidelberg.  Two of the three killed were former coworkers.  I went back there after getting run out of Nam, but too much change. I retired, hoping to get back to Saigon as a civilian, but it didn’t work out.

 

Commander 1957-1958

Who was the APC commander in 1957-1958, asks Sp5 Alan Ageloff, explaining, "I was stationed At APC Jan '57 - Nov '58, working as a film editor on the "Big Picture" as well as some ... projects for various gov agencies. It would be nice to recall who the base commander then was because I am writing a short story of my adventures at APC. Can you help me?" If you know the answer, write to The Webmaster. Just click here.

 

Get Set, Go

Information about the APC production "Get Set Go" was provided by Neil Upchurch in response to the query about Thomas G. Macaluso, below.  Upchurch was the assistant director and, as an Army first lieutenant, APC’s ranking officer assigned to all of the “Get Set Go” kinescope recordings.  Upchurch's notes about the kinescope distribution are presented at Kinescopes.  He wrote that “Get Set Go” was contracted by the Army’s Recruiting Office to the New York City advertising agency know as Dancer Fitzgerald & Sample. "I do not recall knowing or meeting Thomas G. Macaluso. Literally hundreds of crew, performers and musicians contributed their talents to the show. We all worked very hard on the show.  I am sorry I can’t be of more help in your search for information about your brother Thomas G. Macaluso and his participation in the production of the “Get Set Go” kinescope recordings during the period of 1956 & 1957."

Information about Thomas G. Macaluso or the late-1950s film, "Get Set, Go," is still being sought by Thomas' brother, Joseph Macaluso, Jr.: "My goal is to learn if anyone has knowledge of this show and if there may be any videos or taping of it. I am inquiring if you have any information on a late 1950's film show produced by the US Army Pictorial Center called 'Get Set, Go.' My brother appeared on Program #9 of this series and I remember it being televised as we were able to watch it live at home. My brother, Thomas G. Macaluso played in special services and played the xylophone or marimba for the Army and on the show. The paper I have describing the program has written on it - Contract #DA-48-083 OSA-922, Work Order #53-A-57, Project 60043. The page also has a list of credits of people that put on the show and a paper called a Rundown - a list of performances in the order they were to take place on program 9 of the show. If there is any way to find out more about this show and possibly to get a copy of the film, if it is still available, I would appreciate it." If you have information, write Joseph Macaluso, Jr., at strings208@yahoo.com or write to Army Pictorial Center web.

Where is Stan Noble?

Does anyone have contact information for Stan Noble, who as a first lieutenant was assigned to the TV Production Branch in APC's Television during the period 1957-1959?  Neil Upchurch, also a former first lieutenant in the TV Production Branch is looking for Noble's current location and e-mail address.  Noble was a Texan fellow who stayed in New York after serving his Army obligation. He worked in NYC with Dancer Fitzgerald and Sample advertising agency.  If you have information about Noble, contact Neil Upchurch at neilupchurch@sbcglobal.net.

 

All Army Flag to Ft. Monmouth

Does anyone have film or photographs of the presentation of the All Army Flag to Ft. Monmouth in the late 1950s? 

CW2 (Ret.) Dave Brouchoud, a volunteer member of the post Color Guard, had the honor of carrying the flag after it was presented to the commanding general.  Dave figures there might be film or photos in the archives.  Dave was stationed at Ft. Monmouth from 1957 through September 1959, where he was an instructor with the MOS of 202.68.  (202.68 was VT Fuse Countermeasures. The .68 means instructor.)

 While Army film and photos from that era were transferred to the National Archives, there may also be pictures or footage in private hands.  If you can help, write to dave.brouchoud@gmail.com.

Mystery romance

T/SGT B. J. Reisler photographed and apparently romanced and Italian lady at the end of WWII.  Now the lady's daughter wonders about the mysterious photographer:

"I am an Italian lady, who's mother still alive but with serious  Alzheimer's , lived through out the II W.W. In a small town in Italy. ( Senigallia in the central region of Marche). During the summer I have cleaned her house after her departure to a specialized Home, and I came across some very nice pictures of her and her siblings taken by an American photographer who was assigned to a commander unity that have occupied my grandparents villa. In an other dusty box I found a group of letters belonging to my mother teens years; there was one posted from Long Island City full of niceties and word of affection that touch me deeply. So I discovered that my mom ,at 18 ,had a romance with the mysterious photograph that had taken the pictures . The letter had an address and a name. T/sgt. B.J. Reisler, Signal Corps Signal Center at Long Island City - the date is October 10 - 1946. My Mother has never revealed the story to us the children; the nice American was asking her to answer but I doubt she did. Actually she went on to Milan Art Academy , became an artist ( she even did a few exhibit in the USA  ) mother ,grandmother and great grandmother! As we are putting together memories for our children and granchildren, I would like to know more about m. Reisler. I know from the memories of my younger uncle that they call him Bob and he was a very nice person. Can we have more informations? My mother family name is Gambini Rossano , her name is Amelia , the city is Senigallia ,the province Ancona. Thank you , hope you find something , Annamaria Olivi."

If you know anything about this charming mystery, send your information to The Webmaster. Just click here.

 

Seeking 'lost images' from ETO

Darren Neely is seeking 'lost images' from the ETO.  He explains, "I am working on a book project, multiple volumes with the first one coming out in the Spring with the theme of Signal Corps photos from the ETO, ones that haven't been seen much, sort of "lost images theme."  I am doing this by finding Signal Corps photos that aren't at the NARA but at other places or in private collections.  As you know, a lot of the cameramen brought home their own photos that they took and either never sent for publication or they were rejected for use and they kept.  I was wondering if you could put a notice for assistance/wanted on the site about they types of photos I am looking for? I am looking for ETO only and have specific topics in mind, not really interested in photos of award ceremonies, USO shows, etc.  Or maybe you know of some contacts that have photo collections that I can contact about getting some scans?  Full credit will be given to the photographer, his family and/or source of photo, along with a free book."  Please send your information to The Webmaster. Just click here.

 

What kind of film?

What kind of black-and-white film would Army photographers have used during the 1950s?  Russell Hay posed that question, "because I'm helping a friend try to reconstruct a photo of her father from that era, taken during his time in the U.S. Army.  Do you happen to know what type of film they would have used?  It's definitely B&W, but the grain seems too fine to be t-max, which was my first guess."  If any still photographer alumni read this, can you recall this or any other technical aspects?  Please send your information to The Webmaster. Just click here.

 

Glenn Miller images or information sought

 

Major Glenn Miller is a topic that raises some questions.  Can anyone describe or provide film footage, photographs or information about Major Miller performing with his Army Air Force band at Signal Corps Photographic Center?

 

Glenn Mittler is fulfilling a lifelong interest in Glenn Miller by researching his life and career.  He wrote, "As you know, Miller disbanded his highly successful civilian orchestra during the height of its popularity to enter the Army Air Forces in the fall of 1942. His mighty Army Air Force band is considered by many to have been the supreme dance orchestra of the World War II era. They performed in numerous bond and war stamp drives, and went overseas in late June of 1944 to perform at 8th Air Force bases scattered throughout the British Isles. Captain Glenn Miller was eventually promoted to Major Glenn Miller around mid- August of 1944.  Might there be any, any, images of Miller and band reposing in the archives of the Army Pictorial Center?"

 

Many entertainers appeared on the Army studio's stages, but this site has no material regarding Major Glenn Miller.  If you have any information, send an e-mail to the Webmaster.

 

Footage sought for Korea and Vietnam battles

 

Film producer Christine Fitzpatrick needs U.S. Army footage for the following battles of both the Korean and Vietnam wars:

 

Korea: Battle of Ch'ongch'on River; Battle of Chipyong-ni; and,
Vietnam: Battle of Ap Bac (1963).

 

"I have thoroughly searched the National Archives and private archival houses and have not come up with any footage regarding the above battles. If you have any information on possible footage covering or relating to the above, I would greatly appreciate it."

 

Perhaps one of you website visitors can provide a better answer than the APC Webmaster, who wrote, "The unclassified footage accumulated at the Army Pictorial Center or Army Motion Picture Depository is either in the hands of some other section of the Army or else in the National Archives and Records Administration in College Park, Maryland.  All of that footage was, up to 1970, in the Army Motion Picture Depository in Long Island City, N. Y., but when APC closed, the materials were transferred to other facilities. (I regret to note that many film prints were destroyed at that time to recover the silver, but I presume original materials were all saved. Based on films turning up in commercial video releases and on YouTube, it appears in the last few years that NARA has accelerated their cataloging and release of military films."

 

Artillery film at Ft. Hood

Bob Moss wrote, "I live in a very small town in Montana. One member of the community, a Mr. James (Jim) Strizich, served in the Artillery, 2nd Armor Division, in Fort Hood, Texas in late 1965. While there he “starred” in an Army production, something along the lines off “Comms Tent to Artillery”. Jim was an enlisted man, but played an Army Lieutenant, wearing a .45 sidearm, lieutenant bars and all. The production company was from New York and the Director “wore a beret” (how many of those could there be? Dozens?).  Jim just turned 71 and if there is any way that I could get a copy of the film for the 40 (or so) residents of Swan Lake to see and enjoy, would be a truly wonderful thing.  I am a vet of the Vietnam Era, but was never in any training films. If you could help me locate this flick, I would be forever indebted. Please let me know how if and how I can help.  If you know the film or can help, send an e-mail to the Webmaster.

 

Cameraman Bernard J. Shapiro

"Did a SHAPIRO, BERNARD J. ever work as an Army cameraman in Vietnam?" asked Roger Hawkins, formerly with the 221st Signal Company (Photographic) in Vietnam.  "Looking for a guy that filmed the return of a rescued Air Force pilot."  Shapiro is listed on our Personnel Roster with Studio Branch, but we don't have any more information.  If you can answer the question, send an e-mail to the Webmaster.

The Big Picture Catalog

"Is there a comprehensive list of when each episode of The Big Picture was released?: asked John Simpson of Kennesaw, Georgia.  "I see on the website an occasional reference to episode so and so being in the 1962-63 season."  The answer is a partial "yes."  A compilation of annual catalogs of episodes of The Big Picture lists production numbers, titles and in many cases other information, but the list is still incomplete.  It you have information, send an e-mail to the Webmaster.

 

Commander's secretary?

Jackie, secretary to the post commander in 1957, is the subject of a query.  Dale Young explains, "I was stationed with the Second Signal Platoon in 1957, and since I had been a radio/TV performer before induction, I did some sound-on-film narration for The Big Picture and some training films. I was dating post commander Colonel McCreary’s civilian secretary, Jackie, at the time, and got transferred to the permanent-duty outfit on post. Since I’m now 83, Jackie’s last name eludes me, and I’d be very grateful if anyone can let me know what it was. If she’s still around I’d love to get in touch with her?"  It you have information,
send an e-mail to the Webmaster.

(Posted March 11, 2012)

 

Truman Bradley?

 

Is that Truman Bradley showing us how to select and pack an animal in 1943 training films, and are actors portraying army officers always in the Army?  Rick Stanfield wrote, "I am trying to locate some information about the narrator/instructor of two World War 2 training films produced by the Signal Corps in 1943. The films are 2-943 "Packing: Animal Selection and the Pack Saddle" and 2-945 "Packing: Use of the Cargo Saddle". Can you confirm if the narrator/instructor was Truman L. Bradley.  In the films he is uniformed as an officer in the 7th Cavalry, 1st Cavalry Division.  My other question is did civilians ever portray army officers in training films without actually being a member of the U.S. Army? Truman Bradley was a well known radio announcer and narrator of films in the 30's 40's and 50's as well as an actor. He was best known as the host of "Science Fiction Theatre" from 1955 to 1957. I could not find him listed in the army register between 1941 and 1945 is that unusual?"  Since Army Pictorial Center called on many fine actors from the New York area to portray soldiers of all ranks, we have to believe there was no requirement they have a military background.  In fact, Army films make a point of introducing "real" soldiers when they appeared on camera.  It you have more information,
send an e-mail to the Webmaster.

(Posted February 2, 2012)

Norton S. Parker

Donald Fedynak answered one of the questions about Norton S. Parker by providing a photo of him, and the picture suggests the answer to the second question, did he serve as commanding officer of Army Pictorial Center?  Major (Retired) Richard Green of asked about a photo and sounded confident that Parker had been CO.  Green, of the Signal Corps OCS Association, signalocsbw36@se.rr.com, also supplied several names of people who served at the Signal Corps Photographic Center during World War II. However, Colonel (Retired) Norman Saunders, who served at APC from January 1954 through October 1956 in Information Films, remembered Parker as a retired colonel who was the head of the Writers Branch but "to my knowledge he was never CO of the studio."  Saunders' first assignment would have immediately followed Parker's command around 1952-1953, so Saunders ought to know.  The newsly supplied photo of Parker conferring with writer Paul Caster gives weight to the recollection that Parker headed Writers Branch.

(Posted December 30, 2005; updated August 1, 2011, and February 2, 2012)

 

Field Caption Card

A WWII re-enactor inquired about field camption cards: "I'm at the time involved in depicting, as a Belgian re-enactor, a US unit in WWII in Europe. I got recently interested in combat units in US Signal Photo Companies and the Kodak 35 PH-324. I'm also interested in reproducing documents from originals so that I can take them on the field without fearing damage since I'm working with modern copies.  Recently, I found a 'U.S. Army Signal Corps Army Pictorial Division field unit roll caption card' but feel puzzled since I don't understand why there is a perforated line at the bottom if the sheet is supposed to be attached to the roll thanks to a thread coming in and out the hole. I mean, in the case, why separating the upper part of the document from the lower part with the hole below the perforated line ? And I also don't know if the sheets/cards are separate or all together making part of a booklet ? And how many pages?  I'd like to find illustrations.  Maybe you can help me find better illustrations, or photographs of other 'roll caption cards' or booklets if any. That could help me reproduce that document as close to reality as possible."  He supplied a 1944 example, which is available on the web at the United States Holocaust Memorial Museum If you have information, send an e-mail to the Webmaster.

Field caption books

Bill Cain wrote, “I was an Army motion picture photographer in the early 1950s (Korea, etc.)  (The pictures above are) photos of a Field Caption book that I used while serving as a photographer with the 51st Signal Battalion in Korea in the mid 1950s.”

(Posted January 9, 2012; updated August 14, 2015)

Photo Trailer

"We have acquired an Oneida WWII Photographic Lab Trailer. The trailer was made around 1940,41 all aluminum except the frame, the sheeting on the side looks like the Ford Tri Motor Airplane of the era, two rooms inside one for prints and one for negatives. The inside is quite complete and many items still have the stenciling, safe lights, counters and ducting.  We need information on this unit , manuals, photos or anything on the trailer, it is quite rare and information is scarce.  Any help would be appreciated."  If you have information about the Oneida Photographic Lab Trailer, send an e-mail to the Webmaster.

(Posted January 9, 2012)

Vetrone's pictures

Joe Vetrone is looking for pictures his dad, Edward Vetrone, while serving with 165th Signal took during the war.  Joe provided more details, "165th Signal Corps, 4th Infantry.  He was under Letterhandler.  His name is Edward Vetrone and is alive at 90.  I have some war photos of his but would like to obtain others."  If you have information, send an e-mail to the Webmaster.

(Updated January 9, 2012)

 

Johnny Refugee identified!

"Johnny died as an American, a happy teenager, and in FREEDOM." The little boy pictured at Camp Kilmer during the Hungarian Refugee Operation was identified as John S. Wunder by his brother, Charles Wunder, answering a query from Paul Berry and his uncle, Verino “Fred” DiNardo. Read the poignant story behind the photograph from Operation Mercy.

(Updated September 6, 2011)

Daniel Glick and Concentration Camps

 

“Incredible, horrifying photos”
Daniel Glick was a radioman between the 69th Signal Battalion and XX Corps headquarters in World War II when he took pictures of conditions at Orthduf concentration camp.  Looking for those lost photos that he sent home, his daughter, Bonnie Witler, posted questions here about the event and has since learned some answers. 

(Updated September 8, 2011)

Singing soldier

 

It isn't an SCPC connection, but an Army photograph led Lisa R. Gerardi here in her search for records made by her grandfather, PFC Bernie Rattet. Lisa wrote, " I have a photo of my father what was taken in World War 2. He is on stage singing, and I've been searching for some records he made. The photo says, "ASF-3SVO Ft. Story, Va. Signal Corps Photographic Laboratory negative number 3rd.ser.com.44-028 7-6 Radio Show. Pfc. Bernie Rattet, romantic baritone at the mike singing. Pvt. Dan D. Segall, comedian, reviews his script at the table with the band in the background. Band is 332 A.S.F. Band. Soldier's story from Ft. Story." Bottom of the photo says tm-11409 fsss-240. Any information regarding this photo would be great. An added question is whether PFC Rattet ever performed for the cameras at SCPC. If you have information about PFC Rattet, send an e-mail to the Webmaster.

(Posted July 23, 2011)

"Invasion of Poland"

"Did anyone ever respond to you on this subject," asked researcher Jeff Grehan about "Invasion of Poland," a Film Bulletin produced by Signal Corps Photographic Center. "I’m with a TV production company in Canada," Grehan explained, "and I’d like to know answers to most of the questions posed on the APC help page myself." The film was the topic of a query for an Italian documentary, which also highlights the availability of the film on YouTube. The image researcher for the film is seeking use of some images from 'INVASION OF POLAND,' http://www.youtube.com/watch?v=ZZPGu7dwUOM, and would like to know the terms and conditions with all possible information relative to video: Subject, Location, Date, Length, Time code, Aspect ratio, Shot on, Frame rate, Frame size, Format, Colour, Physical Delivery Options, Price (for seconds or whole clip?), Rights. The documentary should be entirely in HD, thus the researcher would also like to know the cost of transferring the film to HD. If you have information about the video or the Army source material, send an e-mail to the Webmaster.

(Updated July 21, 2011)

Public Shelter Living

Bill Geerhart, editor and co-founder of www.conelrad.com, is looking for information about "Public Shelter Living: The Story of Shelter 104." Geerhart wrote, " I managed to track down the director of this film: http://conelrad.blogspot.com/2010/09/fallout-shelter-beatnik.html, but he did not know the production credits or the names of the actors who appeared in the film. He said that the editor was a man named “Jerry” who later went to Hollywood to edit studio films. Do you have any suggestions for finding out more about this film?" If you have a suggestion or information, send an e-mail to the Webmaster.

(Posted July 21, 2011)

Original 'Emmy'?

Was Dorothy McManus the wife of Louis McManus and the Dorothy who was the model for television's Emmy statuette, a writer doing a Hollywood Reporter article on the Emmy statuette inquires. APC's Dorothy McManus may be shown in a photo on the Madeline Lindstrom page. If you have information, send an e-mail to the Webmaster.

(Posted July 18, 2011)

Vetrone's pictures

Joe Vetrone is looking for pictures his dad, Edward Vetrone, while serving with 165th Signal took during the war. 

165th signal corps

4th infantry

He was under Letterhandler

His name is Edward Vetrone and is alive at 90.

I have some war photos of his but would like to obtain others.

Thank You in advance,

Joseph Vetrone

 If you have information, send an e-mail to the Webmaster.

Tidal wave footage

Kenneth J. Moyer, who was a specialist 4 (SP4), wrote, "I was a Motion Picture Photographer assigned to U.S. Army Hawaii, Ft. Shafter, HI during 1959-1960. I filmed the destruction of Hilo, HI by a Tidal Wave in 1960. I shot 35mm ECN (Eastman Color Negative), and the film was sent to APC for processing and storage. I have just returned from a trip to Hilo, HI and was wondering if any of that film was still available, and could a copy be sent to the museum in Hilo, Hawaii? They have very little photographic history to this event. The local TV crew that was there the next morning asked if they could have my film as their car, camera, and film was stolen. Being I had filmed 35mm ECN it was of no use to the TV station. I'm sure the museum would love to have any documentation of this event."

Editor's note: Footage like this was normally added to the Army Motion Picture Depository collection. Unclassified film now appears to be available from the National Archives and Records Administration, so it's possible this Hawaii footage could be obtained. If you have information, send an e-mail to the Webmaster.

(Posted May 26, 2011)

Operation Overseas

 

1962's "Operation Overseas," directed by Charles I. Turner and featuring actor John Armstrong, is the subject of an overseas query from Giovanni Zantedeschi, whose father appeared in the film. He wrote, "I live in Verona, Italy. In 1962 in Verona and surroundings, Director Charles l. Turner directed the Army Pictorial Center film "Operation Overseas." The protagonist was the actor John Armstrong. I'm doing several searches of the film because my father is in the film. Is it possible to have" information about the film?

An added question from the Webmaster: Is this John Armstrong different from the two soldiers named John Armstrong who served at APC around this time or different from the actor Todd Armstrong who worked at APC in 1962?

Original note: "Gentili Signori, Mi chiamo GIOVANNI ZANTEDESCHI ed abito a VERONA (Italia). Nel 1962 a Verona e dintoni il regista Charles L.Turner gira per l'Army Pictorial Center il film " OPERAZIONE OLTREMARE ". Protagonista č l'attore Jhon Armstrong. Sto facendo svariate ricerche della pellicola in quanto mio padre partecipa al film. E' possibile avere notizie?"

If you have information, please write to the APC Webmaster.

(Posted February 23, 2011.)

The Big Picture

A student doing a research project on DDT is looking for "The Big Picture" episode title, original air date, and any other information about a segment that concerns dusting U.S. troops in the Army Medical Service Corps in the 1950s. Cassidy Gasteiger found the footage on YouTube. movie where I found it: http://www.youtube.com/watch?v=_MHwM15-o6g&feature=related. The Army Medical Corps figured in several episodes of The Big Picture over the years, but the most likely candidate may be an early segment, TV 189 – The Army Medical Corps. If you have information, please write to the APC Webmaster.

"The Big Picture" is the topic of an unusual query from Peter Anderson: "I vaguely remember the host of 'The Big Picture' being escorted from the set by military or Pentagon police, and the episode going to commercials. Did this occur, and when and to whom if it did occur?" If you have information, e-mail the Webmaster.  Stephen Brittenham of Albuquerque supplied the answer, with a link to YouTube. "I think this may be what he is referring to: http://www.youtube.com/watch?v=Eczdl5pBiFg&feature=related." In this episode, "The Aggressor," which appears twice in The Big Picture catalog at TV 362 and TV 555, Army war gaming is introduced in an unusually dramatic way.

Kent Hughes wrote, "I couldn't find Master Sergeant Stewart Queen on your list for APC, The Big Picture site. I remember him as the narrator of The Big Picture. It's been a long time so I may be off with the name. He was a master sergeant with a thin mustache and a South West Pacific GHQ patch. I would really like to know about him because as a kid I really looked forward to his introductions to The Big Picture. Any information would be appreciated." Kent Hughes, aggieblue75@yahoo.com (Posted January 6, 2006)

The Big Picture is the subject of a query from Albert V. Spratley, whose father, MSGT Albert W. Spratley, wrote for the television series in the 1950s. Go to The Big Picture for more. (Posted Jan. 22, 2005)

The Big Picture is the topic of another query, this one from Montie Wagner: "I am looking for The Big Picture series that was filmed at Fort McNair, Washington D.C. 1962 or 63 of A-Co 3rd Infantry "Old Guard" doing Prelude to Taps.I particapated in this film. I can be reached at wanmon@comcast.net, Ph:(423) 954-9073." (Posted July 31, 2004.)

I believe that the APC produced a short film in the "Big Picture" series called "Beach Head", which was all about the Anzio beach-head, and that this included footage of the British section of the perimeter. If this is correct, is it still possible for me to obtain a copy of the film, or any other information on the landings from your archives? The reason why Iam interested is that my late father was there with the British forces (14th Battalion The Sherwood Foresters - Notts and Derby Regiment) and I will be going to Anzio with a party including veterans from WW2 in April this year, which is the 60th anniversary of the landings. As a result I am trying to gather together as much information on the operations as possible. The area I am most interested in is the "Wadis". Best regards, Tom Snow, National Implementation Manager, SIEMENS COMMUNICATIONS, tom.snow@siemens.com

"In 1953/1954 I served as a motion picture cameraman with the 497th Signal Photo Company in Kaiserslautern, Germany," writes Jim O'Donnell. "While there my assignment was to supply motion picture footage for use in an Army syndicted television show called 'The Big Picture.' On one particular assignment I filmed a story called. 'The Battlegrounds of World War II' which was edited into a half hour episode of 'The Big Picture.' Question: Is there an archive of these shows in existence anywhere? I would enjoy seeing that show again as I have many pleasant memories associated with the completion of this project. My name is James O'Donnell. My service number was: US 52 277 276. My e-mail address is NTNJIM@aol.com I'd appreciate a response to this query. Thanks. Jim O'Donnell"

 

Bruce Hugo

What happened to information about Bruce Hugo?, wondered Geoffrey T. West, who wrote, "I was a clerk in the Adjutant's Office - Major Eleanor Burt - and worked with Precioso Nicanor from April 1, 1964 until I left for Warrant Officer Flight School in October, 1964. During that time I met and made many good friends. One of them, Bruce Hugo, had a comment posted at the APC site for quite some time. Now I can no longer find it and wondered what happened to it?" (Answer: Bruce Hugo has a listing on the Personnel Roster that links to a page featuring his comments.) "Also, wanted to let others know that our friend, Joseph (Belton) Bihm, who was a cameraman at the APC from 1963 until around 1966 has recently passed away from a brain tumor just a week before his 71st birthday.

 

Lloyd Battista

More information about Lloyd Battista was provided by Ray Nesbit, in response to an old query by Jim Burrus. Ray told Jim, "I noted on the APC website you wanted info on Lloyd Battista. Just Google him and you can find many hits with all kind of info. I was at APC from 1961-1964 in the TV Division. Lloyd was a SP4 who worked in the studio as a production specialist. He and Peter Bonerz were our experienced actors and both went on to successful careers. LT Tom Morton was assigned to the Mobile TV Unit, so you probably worked with him". Jim had previously inquired, "I was at APC in 1961-1962, There was a soldier names Lloyd Battista there. I believe he was an actor. Do you have any information after leaving APC?" Jim also wrote, "I was assigned to the first mobile color tv unit at APC. We did a segment about basic training at Ft. Monmouth. This was in 1961-1962. I really would like to hear from anyone on that job." Jim (diamond jim) Burruss, Jim@alliedphotocopy.com, 256-539-2973, (Updates February 16, 2011, and January 15, 2006)
And Lieutenant Morton also filed his own query:
Do you know anyone who served in Army television communications during the Cuban Missile Crisis? First Lieutenant Thomas Morton explains: "I served at the Center 1961 to 1963. One of our several deployments was to ARLANT Forward Headquarters, Homestead Air Force, Florida. The mission of our deployment was to provide Television communications to the Commanding General in charge of operations during the Cuban Missile Crisis. The unit consisted of the Mobile Color TV Unit, the Color Mobile VCR trailer and several support vehicles. I would like to hear from anyone that was on the deployment." Tom Morton [tmo937@verizon.net]

 

Bob Craven

"Orphan" seeks information about a 1959 or 1960 film featuring Bob Craven. Dennis Benfante, who played the orphan, wrote, "Bob Craven (I think that's his name) made a TV show shot on the set in Astoria. It was about the GI's overseas and an orphan. I played the orphan. I was wondering if any of the film was still available, as I would love to share that moment with my grand-children." If you can provide any information about this film, or better yet a lead to the film itself, sent an e-mail to Army Pictorial Center.

 

Gordon A. Benoit

Peter M. Thompson wants to locate LT Gordon A. Benoit (who was assigned to APC Directorial Branch circa 1963) for the 50th reunion for UMass class of 1961. If you have information, contact pthomson1@aol.com.

 

Evolution of the Attack Helicopter

The film "Evolution of the Attack Helicopter" produced by the U.S. Army in 1968 is being sought by Historic Stock Footage. Anyone who can help should contact David, Historic Stock Footage, Customer Service Dept., www.historicstockfootage.com, telephone (415) 685-8409.

 

Sperry Gyroscope Company

is an unusual topic for a Help Request, but Dr. Jack Binder, archivist for the Town of North Hempstead in New York, sent this query: "I am interested in any information about the government installation working at the Sperry Gyroscope Co. in WW ll in Lake Success New York. I am particularly interested in the housing for the personnel. Photographs would be great! Was there a barracks at Lakeville Road and Cambell Street?" Dr. Binder's query makes sense in a way. Signal Corps Photographic Center photographed and collected photographs -- both motion picture and still -- of many Army operations and facilities, so it's possible that Sperry was in the archives ... or just as possible that any of you visitors may know some resource that you could share with Dr. Binder. Contact him at binder@northhempsteadny.gov or send information to Army Pictorial Center web.

 

Richard X. Slattery

Bob Hunt asked, "During Army basic in the mid '70's, we were shown a training film on conduct after capture. The film appeared to have been shot in the '50's, and I seem to recall that it had Richard X. Slattery in it. Do you have any info on this film?" Send any information.

 

Tom Hanlon

Soundman Tom Hanlon's nephew John is looking for any information about Tom's service at the Signal Corps Pictorial / Army Pictorial Center, from its acquisition by the Army in 1942 until he had worked his way up to chief of Sound Branch, when the studio closed in 1970. See the Tom Hanlon page for more.

 

Pleas Penny, Jr.

The son of Major Pleas Penny, Jr., "would just like to know all that he did for the Army Pictorial Center." Derrick L. Penny could use your help. So could the rest of us. Send any information, memories or photos.

 

Vibo Valenzio

Photos of Vibo Valenzio still sought! Vibo Valenzio's niece and nephew found each other here. Niece Carolynne Valenzio DeLisle wrote, "I saw a note from Donna Mueller who is looking for info for her husband whose Uncle was Vibo Valenzio. He was my Uncle also. I grew up with him. He has 2 brothers who are still alive, Marco and Victor. Victor is my Dad." Donna Mueller previously wrote, "My husband is looking for information on his uncle: Vibo Valenzio. Not sure if there are any photos of him working on pictures...but, we would wondered if anyone had any." Photos would be welcomed by www.ArmyPictorialCenter.com too!

(Revised July 27, 2009)

 

Captain Gaetano Faillace

has now been the topic of one query by Roger Hawkins and two recollections, by D. S. Ross and William Hurst. Roger Hawkins wrote back in 2007, "I don't see Capt. Gaetano Faillace on the APC roster, but I have a copy of an APC newsletter called "In Focus" from January 1958 that talks about a six month TDY he did for MAAG that took him on a filming expedition throughout the MidEast. He started out in WWII as one of General MacArthurs's personal photographers. The next thing you know he is with DASPO (Dept of the Army Special Photographic Office) as a SSG. The DASPO troops are totally surprised when he retires in about 1965 as a Major. Can you shed any light on this? I am trying to write a story about him, but he was a man of many mysteries." Hawkins also provide his web links to www.azcreative.com, www.combatcamera.org, and www.daspo.com

(Revised 061709)

 

M1C Signal officer helmet

After hours of search on the internet, I am desperately trying to find a photo of a M1C helmet of a signal corps officer during WW2. I am a re-enactor wearing the uniform of a 82nd Airborne paratrooper with the "US Army Photographer" shoulder badge and "Photographer" Signal Corps cloth patch. I am willing to purchase a helmet but I cannot manage finding such dedicated helmets (I think it was a M1C with the painted yellow or orange "Photographer" marking in front of the helmet, can you confirm?) Could you please tell me where I could find photos of photographers wearing such helmets? I was told that some helmets were modified for photographer in the US army during WW2, it it true ? Could I see a picture of this? This is my photo website: http://www.warmuseums.net I am just trying to wear a uniform compliant with historical accuracy during my re-enactment sessios as "war photographer" in my free time." Robert MARY, Group Internal Audit (BOD\AUD), 20 U 06, Bd du Roi Albert II 27, B - 1030 BRUSSELS, Tel: +32 2 202-70-23, Fax: +32 2 202-70-15, E-mail address : robert.mary@belgacom.be.

(Posted 042009)

 

Alexander J. Malashuk
was a member of 3234 Signal Service Detachment providing footage in Japan in 1945. Queries and responses to our Help page collected some information, but more questions remain. Click here to read more.

 

NORAD Band or Studio Band

Footage or photos of either the NORAD Band OR the Studio band from the late 1960s is sought by the son of John Gates, one of the bandsmen who appeared with the band in an episode of The Big Picture. SFC John Gates, a 19+ year active duty soldier, currently assigned to the Joint Chiefs of Staff, working in Pennsylvania, would like to find the complete raw footage of the band performances featured in the tv episode. His dad first served with the NORAD band in Colorado Springs and then the US Army Field Band / Studio Band in DC/Ft Meade from 1966 to 1971 and possibly from 1968 to 1971 in the Studio Band (today's Jazz Ambassadors.) Dad's website: www.john-gates.com. SFC Gates said he had obtained The Big Picture episode that featured brief sequences. It's likely the footage from a multi-camera set-up filmed the entire performance and probably wound up in Army archives. If you have any information, contact SFC Gates, 717/878-3422, john.gates@js.pentagon.mil, john.gates@js.pentagon.smil.mil.

(Posted 021909)

 

Nat Roger Knaster

What was Nat Roger Knaster doing as a photographer/foreign correspondent in places like Madrid, Cairo and Italy during World War II. That's what his nephew, Fred Schock wants to know. Fred wrote, "When my uncle, Nat Roger Knaster, enlisted in the US Army in 1942, he was assigned to the 846th Signal Service Photographic Division. A little over four months later he received a "convenience of the government" Honorable Discharge. (see below.) But he remain in the service as a non-combatant. From February1943 until he left for Madrid in September 1943, there is no documentation. His IDs indicate that he was a photographer/foreign correspondent in the U.S. Army, Department of Psychological Warfare (Madrid, Spain), which was part of the Office of Strategic Services. His papers also have Office of War Information letterheads. In December 1944, he was reassigned to Cairo before going on to Italy (where he was back in uniform again) in February 1945 before returning to the US after VE day. There is also a photograph of Nat taken in Hialeah Port, Pusan Korea, yet there is nothing else to confirm that he was there. Do you know if there might be anything on the Web (or otherwise) which could lead me to find out what his duties and assignments were? I have hundreds of pictures (mostly travelogish), about 50 letters (benign) and a dozen or so official documents, all just pieces of a puzzle I'm trying to put together. I've been in contact with the National Archives and hope they'll be forthcoming. Any thoughts you might have will be greatly appreciated." /s/ Fred Schock, USAF 1952 - 1956

(Posted 122008)

 

War-time personal recordings
for postal mail exchanges, and the technology of kinescoping
are topics sought by a free-lance writer developing a book about rarely defined aspects of communications' history. The writer said, "I would like to present an open letter to former A.P.C. staff persons regarding two primary themes as follows: the audio recording (at local record shops, in vans, or at bases) of service persons' & families' voices for postal mail exchanges during the Second World War; and the technological aspects of kinescoping with photos or art/diagrams of the sequence of: monitor filming, film development, and especially a projector aligned with an electronic camera for subsequent broadcasting. Briefly, I have been amazed at the lack of the developmental history and the technical images involving both of these topics. Without naming sites, major presumed data bases for the service person's recording and the early TV technology have had virtually nothing of factual value. I shall be willing to make an agreement for remuneration should it be required for text, photos or art." Contact the writer at famz1248@yahoo.com or (740) 633-2651 (+ message -- in Ohio).

Col. James B. Buchanan

"Does anyone remember Col. James B. Buchanan?" asks the Dr. Greg Wilsbacher, curator of the Fox newsreel collection at the University of South Carolina. Colonel Buchanan was commanding officer of Army Pictorial Center from 1953 to 1954. "I am trying to determine if he was the same James B. Buchanan who shot newsreel stories in Atlanta in 1919 and 1920. Did he have a southern accent? Was he a cameraman earlier in his life? Any information would be appreciated. The collection holds an enormous amount of Signal Corp film and I'm always interested to hear from Sign Corp cameramen, especially from WWII and Korea." If you have information, contact Greg Wilsbacher, Ph.D., Newsfilm Library Director & Curator of Fox Movietone News, University of South Carolina, Columbia, SC 29208, (803) 777-5556, (803) 777-4756 [fax], http://www.sc.edu/library/newsfilm

Frank Hanisko, Sr.

Information about Frank Hanisko, Sr., is sought by his son, Frank, Jr.: "I came across your site when looking for information on my father. He passed on many years ago and I am trying to piece together a bit of his past. My father, Frank Hanisko, Sr. definitely worked at Redstone, from 1970 or 1971 I think through 1976. He was a friend of H. G. Peters and may have worked for him as a contractor. My memory is that he worked for the army, but I was very young. I do recall the building 4489 and watching some grisly old propaganda films. My dad came from Czechoslovakia and grew up with WW2, so he was keen to show me what his youth was like as a bit of a lesson on the horrors of war and fascism. Mostly I recall the pool and the NCO club. There was another building, but I am stretching my brain cells on that. My father was an editor most of the time, but did a lot of production for Peters. If you have any information or hints to where I can find out more about those years at Redstone, I’d truly appreciate it." F. D. Hanisko, Jr., Dushan.Hanisko@uk.renaultf1.com.

(Posted 071708)

 

Kinescoping

at APC is the subject of a query from Fred Wrixon: "Researching television history for a developing book, I am trying to clarify the technology so often missing from naturally "star-heavy" texts. There is a sadly wide gap between England's John Logie Baird, our own nearly forgotten Philo Farnsworth, and 1957+ video taping (the latter seems to be the only technology mentioned in many "TV histories"). I would so much like to obtain equipment photographs or art/diagrams that correctly show the filming of TV monitors, the film processing, and the projection of the film into the aperture of a receiving camera for subsequent broadcasting. Also, I believe that the Astoria site made ca.1950-57 kine copies of N.B.C.'s classic World Series and C.B.S.'s classic N.F.L. Title Games to be shipping to overseas bases' film libraries. What a treasure even one of those cannisters would be! (Try asking current civilian film archives about that topic-- The results ? E-mail ether and voice mail vacuums!). However, I want to be positive. For always helpful communications variety, I may be contacted via the following-- E: famz1248@yahoo.com // Ph: (740) 633-2651 (+ message) // Postal: 214 North 7th Street / Martins Ferry, OH 43935-1535."

Why We Fight

Production of "Why We Fight" is the subject of a student query: "I am taking part in a college course covering the "Why we fight"-series directed by Frank Capra in 1943. For my term paper I am searching for information on the U.S. Army Special Service Division (USASSD) and/or the U.S. Army Signal Corps (USASC) as they relate to the preparation, approval and making of these films. I intend to give a historical background of the above-mentioned organisations and elaborate on the work relationship of Frank Capra and the U.S. Army during the production of the films. Do you have an overview work on the U.S. Special Service Division (USASSD) or any other bibliographical information? I would appreciate any assistance you could provide me." Robert J. Meyer [robert.j.meyer@mail.uni-oldenburg.de]

(Posted 061208)

David Cassidy writes: I am working on a documentary about the Why We Fight series. Specifically about Frank Capra's involvement. If there is anyone out there who worked on this series and might be interested in participating or have interesting material, please contact me. I am searching for people who worked in Capra's shop during WWII in the production of the Why We Fight Films. This is a fantastic site and I think if anyone can help steer me it is you. I am working on a documentary and book about the creation of these films and am looking for materials (photos etc) from that time. I am also looking for individuals to interview for the program. It is a great subject with an amazing history and great people involved. I look forward to hearing from you. Thanks, David Cassidy, davecassidy77@aol.com.

(Posted March 25, 2005)

Percy Dock Ricks, Jr.,

is the subject of an inquiry by a biographer. "I am a publsihed writer who is working on a biography of Mr. Percy Dock Ricks, Jr., who was a lab specialist at the Pictorial Center and believed to be the first non-commissioned officer to lead integrated troops there in 1946. I have a few pictures of the pictorial center, but could use more. Can you tell me how to find those photos? Also, a picture of the guard gate where soldiers would enter. Any help you can give me would be much appreciated. I see that Percy's name is on the roster of folks who worked there. I think he went to NYU in photography and eventually taught classes there. Is there any way to find out more info about that period?" Contact Sherri Rivers [sjrivers@knology.net].

(Posted 050508)

 

Major Bryerley

is the subject of an inquiry by Eric Meola, [eric1057@mac.com]. "I'm a photographer who lives on Long Island, New York and is making a film about one of the APC alumni -- photographer Pete Turner (1957-8). I am trying to locate a Major Bryerley (spelling ?) who was at the APC at that time. I'm assuming he's in his mid-80's now, if he's still alive. Do you know how I might contact him?" Reply to Eric Meola, P.O. Box 213, 1057 Sagg Road, Sagaponack, NY 11962, 631-537-8767, www.ericmeola.com.

(Posted 050508)

 

21st Decontamination Chemical Company

A 1956 film featuring the 21st Decontamination Chemical Company at Ft. McClelland, Alabama, is sought by Tom Berry. "I am trying to find a copy of a film shot by the LI Pictorial Center in Ft. McClelland, Alabama, in 1956. It was a training film on chemical warfare for overseas purposes. The film used men from the 21st Decon unit. One man who worked on the film was John Brennan (not sure if he was a camera man or prop man). Any information that you could provide would be greatly appreciated." Tom Berry, 914-260-9355, thomasberry2@mac.com

(Posted January 2, 2008)

 

Mechanized Patrolling

The 1943 film "Mechanized Patrolling" is needed for a DVD box set. Grant Connell inquired: "I work for a DVD production company on behalf of Warner Brothers Home Entertainment. We are currently working on a DVD box set that will include a number of film shorts that were made during World War 2 by Warner Brothers and the Signal Corp. We have many in the Warner Archives but we are currently in search of one that I am hoping you will be able to help me track down. It is entitled MECHANIZED PATROLLING, released 1 August 1943. It was directed by B. Reeves Eason and written by Leo Rosten. It starred Walter Sande, Phil Warren and Gary Bruce. I would greatly appreciate it if you could contact me with whatever information you may have on this title. If you have no information then perhaps you could point me in the direction who may. Whatever you can do would be a great help to me." If anyone has information, contact grant connell gconnell@nwe.com, new wave entertainment, associate producer, 2660 west olive ave. burbank, ca 91505, phone 818.526.5359 // fax 818.295.8026, www.nwe.com

(Posted September 20, 2007)

 

Photos from the Philippine Island campaign

are sought by Karen Owens. If you have information, contact Karen at kareneo@milwpc.com (Editor's note: the Army Pictorial Center was also the repository of film and still photographic material and an recognized, accessible central resource; those materials are now more difficult to find.)

(Posted September 20, 2007)

 

"Prelude to Taps"

needed: Dan Rodrigues, a US Army recruiter stationed out in Fresno, California, is helping a retired CW4 locate the video of "Prelude to Taps". The CW4 is currently in charge of a US ARMY CADET CORPS program and would like this video to show his students the fundamentals and history of marching and also the different styles. Contact Daniel S. Rodrigues, SSG, U.S. ARMY Recruiter, Fresno Company, Office (559) 898-0611, Fax (559) 898-0610, CELL 1-877-792-5269.

(Posted August 23, 2007)

 

World War II cameramen

sought by Canadian film conservator: Dale Gervais wrote, "I am writing on behalf of a friend who served as a combat cameraman with the Canadian Army in WWII, Norman Quick. http://www.canadianfilm.com/cafu/norman_quick.htm I work as Film Conservator with the Library & Archives of Canada and Norman would like me to make an inquiry as to the names of some of the former U.S. servicemen that might still be alive who served with the Signal Corps cameramen during WWII. Norman is wondering if some of them might still be available to correspond or make contact with.


If you know of anyone else that might be able to help out or know more information please forward along this note." /s/ Dale Gervais, dale.gervais@lac-bac.gc.ca, or by phone at 819-997-7069.

 

Juanito Becenti

Ed Becenti wrote: "My father Juanito Becenti was with the 2nd Signal Photo Platoon, Signal Corps Pictorial Center, NY back in December 1954 to December 1955. His rank was Sp3 and his assignment was Army photographer. If you have any information on him, etc. please forward to our attention. Thank you." Send info to www.ArmyPictorialCenter.com using the e-mail link at top or contact Ed Becenti, Window Rock, AZ, 480-313-8070.

 

Richard Wood

would like to hear from anyone who served when he was in the 2nd Signal Photographic Platoon at SCPC from March 1953 to August 1954. "I was a Still Photographer when first assigned but ended my stay as Supply Sergeant. Cpt. Roberts was the commanding officer when I arrived but upon returning from an assignment in Nevada to photograph atomic bomb tests, Lt. Warren Colville was the commanding officer. Lt. Donzelle Davis was Supply Officer and Sgt. Morris K. Caldwell was Company Clerk. Morris and I still keep in touch and would like to contact anyone who served during that time. My e-mail address is rwood11@rochester.rr.com."

 

Michael Wiater

asked, "I am interested to hear from someone who was stationed at APC in the year 1959 thru 1960. I was part of the studio crew and spend some time in the mobile field unit. In 1960 we took a field unit to Eglin Air Force Base in Florida where we were participating in a field training exercises. I was also part of the crew that went out to Ft. Gordon Ga. for training exercises there. I did setup crew and the camera crew work." SP4 Michael Wiater mwe23@hotmail.com

(Posted January 6, 2007)

Bill Finger

Batman co-creator Bill Finger, who was a contract writer at APC, a subject of research by writer Marc Tyler Nobleman, who wants to contact anyone who knew Finger or has photos.  You can email Nobleman directly at mtnobleman@gmail.com.

 

Daniel Boone Hunter and David Drake

"I have been trying for a number of years to locate Daniel Boone Hunter and David Drake without success," writes Frank Michael Glowski, who served at Army Pictorial Center as a Specialist E5, Audio Specialist, from January 1964 to August 1966. "I'll keep trying." If you can help Frank, write to fglowski@snet.net.

(Posted June 18, 2006)

 

South Korea Branch of SCPC?

Yun Kum Collins [mailto:yun@eyecandyinc.com] asks for help identifying people in a 1955 photo.


 

Lester L. Muncher

Looking for roots: Kate Rensel (Lilly Muncher) seeks information about her father, Lester L. Muncher. "This may seem odd but I have finally tracked down some information on my birth father, Lester L. Muncher PVT. student at the army Photo School Division July 1944. I am trying to track down my roots! I knew he was in the army but had no idea where or any of the particulars. One of my 6th grade students said to google his name and I did and came up with the photo school! If you have any info on him(or family) or know where I might look I would greatly appreciate it. My brother and I were put up for adoption in 1949. We knew that we were adopted but did not know the names of the birth parents until our adoptive parents died. Our names at birth were Lilly and Jon Sid Muncher. Our birth parents names were Lester L.Muncher and Jean L. Muncher. I am a Middle School reading teacher and have 2 sons. We would like to find out about our roots. Please e-mail me at school krensel@bradfordareaschools.org or kateyadele@pennswoods.net. I live in Bradford Pa. and my name is Kate Rensel. phone 814-368-2267 Hope to hear from someone ! Thanks."

 

Bastogne Footage

Where's that Bastogne footage? Ray Moore writes, "I was with the 10th Armored Division in WWII. We are disbanding after our reunion next Labor Day weekend. Too few of us left. After the war, I was a television newscaster for WSB-TV in Atlanta. During my retirement, I have written and narrated some videos for the division. And these will be shown permanently in the Patton Museum at Ft. Knox. I have leaned heavily on a terrific production about our division by the Army Pictorial Center, with Lorne Greene narrating. Excellent battle footage, especially for our action in Bastogne with the 101st Airborne. Their infantry and our tanks held the village. Right now, I'm searching for some of that battle footage - that does NOT have a narrative with it. And I'm dismayed that the Army Pictorial Center no longer exists. Could you please give me a clue as to where I might search - particularly for Bastogne footage??? Thanks for keeping memories alive! My email address is aray1moore@earthlink.net and my Atlanta phone is 770-801-9705. Thanks so much for whatever leads you can provide!" /s/Ray Moore

(Posted April 6, 2006)

 

7796th Signal Photo Company

Looking for 497th & 7796th members: Bill Doyle writes, "I'm looking for members of the 7796th Signal Photo Company located in Hanau Germany around 48/51. This unit later merged with the 497th Signal Photo Company in Karlsruhe and then moved to Pirmasens(?). I was in the 7796th from early 1950 until transferred to the 497th for a brief period before being transferred out to the 12th Infantry Regiment." /s/ Bill Doyle, wadoyle@telpacific.com.au

Hobby Shop:

Brett Nordgren [mailto:Brett3kh@bnordgren.org] wrote, "I have another name for the APC roster. On an envelope, dated Feb 21, 1956 is the address: SP-3 Richard Hiatt, Army Pictorial Center, 35-11 35th Avenue, Long Island City 1, New York. The envelope contained documentation for an early CBS prototype color TV set. Inside that set is a tag: 'prop of R Hiatt, Hobby Shop.' Does anyone know what was the APC "Hobby Shop" and how it might have been connected with Richard Hiatt and the TV set?" Brett can also be reached at his mail form at: http://bnordgren.org/contactB.html.

Department of the Army Special Photographic Office:

Texas Tech University Research Assistant Sarah M. Wheeler wrote, "I am assisting Professor Ed Youngblood at Texas Tech University conduct research on the origins and ultimate disbanding of the Army unit formerly known as the Department of the Army Special Photographic Office (DASPO). If you have any information that may help, I would greatly appreciate it." Contact Sarah M. Wheeler at sarah.wheeler@ttu.edu

 

Classified Disney film

Information is sought about a 1945 then-classified Disney-produced film: My name is Roy Yoo and I work for the US Army Public Affairs office in Los Angeles. I am currently trying to find a movie in response to a letter written to the Secretary of Army. A gentleman who served in 1945 is looking for a movie produced by Disney and according to this gentleman it was a classified movie that depicted the United States proposed redeployment of troops who would be the first wave of an invasion of Japan. The problem with this is, the gentleman has no idea what the title of the movie is nor does he know the source of the movie. If you could help the Secretary of the Army provide an answer for this gentleman, it would be much appreciated. We must provide this gentleman with an answer as soon as we can. Please contact either myself of Kathy Ross according to this matter. Thank you very much. - Roy Yoo, US Army Public Affairs, Los Angeles, 310-235-7621, roy_yoo@yahoo.com

(Posted January 28, 2006)

Major H. Dale Brockman

Bob Holcombe [holcombe@ksu.edu] is looking for information on Major H. Dale Brockman. APS, ETO in WW2. Thank you.

(Posted November 21, 2005)

 

Charles E. Wright

1950s film printer Charles E. Wright's son asked if there is "any information / photos concerning my father, Charles E. Wright."

(Posted November 21, 2005)

 

Air Force basic training

Ron Feilen is looking for a 1955 film on Air Force basic training, in which he appeared. Feilen recalled the fun of temporary duty at Army Pictorial Center. "I am writing to see if anyone can help me track down that 50 year old film. Thanks to all. Ron Feilen, bf824@earthlink.net."

Larry Frisch

writes: During August l966 I was sent as contract writer-director to Saigon for a film about the ten rules of conduct, to be seen by all soldiers sent there. Would appreciate any comment by those who used it." Larry Frisch's e-mail is lary1234@bezeqint.net.

 

Looking for Edmund B. O'Connell:

Great site and hope you can be of help to us. We're looking for unit. info on T/4 Edmund B. O'Connell, US Army. He was Assigned to 196th Signal Photo Co. in Italy during 44-45. Army Service Serial # 32261322 as a war photographer. Birthplace was Nashville, TN Have an Allied Force HQ photo ID card dated 30 Mar. 45. and good collection of black and white photos to share and identify. According to Soldier's Individual Pay Record, his unit personnel officer was 2LT Walter R. Ermich, Jr. Contact Tom Sullivan at tomsull27@yahoo.com or Julie Jones at butterfly_94044@yahoo.com. Thanks for your help. Click here for more information and photos.

(Posted March 5, 2005)

 

Atomic Warfare:

I am trying to track down a movie "Atomic Warfare" that was filmed in April/May of 1959 at Fort Knox. My father, Michael Turansky, was an extra and an actor in the movie and has told us of his screen time for 40 years now. If anyone has information contact me at: npr_photographer@yahoo.com.

(Posted March 5, 2005)

 

Films about Vietnam

Film student Kathryn Beane seeks Army films for use in a picture she is making about Vietnam. Her query prompted an exchange with Webmeister. Click here to read more.

(Posted March 5, 2005)

 

General Douglas MacArthur

Photos of MacArthur: "My father has pictures, from WWII of General Douglas MacArthur signing the treaty with the Japanese, with the Signal Corps U. S. Army stamp on them. Is there any way of finding their value or origin? They were sent to my father after my grandfather had passed away. Can you help? A_theuret@hotmail.com"

(Posted Jan. 22, 2005)

 

SCPC/APC alumni, your help is needed:

"My name is Mike Rodgers, and I'm the exhibits designer for the Signal Corps Museum at Fort Gordon, Georgia. I'm trying to find out the name of the photographer who took the famous picture of GEN MacArthur standing in the water returning to the Phillipines. Any help would be appreciated." If you know the answer, click here to send an email.

 

Who makes training films

Lenora Haughton asks, "Who makes army training films currently? Who made the army training films in Vietnam? lenora.haughton@us.army.mil"

(Posted Jan. 22, 2005)

 

CPL John E. (Jack) Townsend

497th Signal Company (Photo): Cpl. John E. (Jack) Townsend, RA17324779. Student at Fort Monmouth Motion Picture School in 1951. Then joined 497th Signal Co. (Photo). Traveled to Germany with 497th, stationed in Philips Barracks, Karlsruhe, then Kaiserslautern. Returned home to Sioux Falls SD in January 1954. Would like to hear from anyone who served with 497th 1951-1853. jtowns@sio.midconet.

(Posted Jan. 10. 2005)

 

Phil Lester

writes: I was stationed with the 2nd Base Post Office during 1967-68, a tenant unit co-located in same billets with the APC. Request to place my name here in hopes of locating friends and other unit members who served with the 2nd BPO during that period. Anyone having information on 2nd BPO personnel please contact me at my home email address below. Warm Regards to You, Phil Lester, PALester@aol.com

(Posted Jan. 10. 2005)

SFC J. D. Devan

Sergeant Devan, are you out there? We received this query: Please help me find J.D. Devan SFC, served with father. E-mail lcmlooking@yahoo.com

 

George Cukor

Cukor in uniform?: Hi. I am currently working on a documentary about Queens, NY for PBS. I am looking for photos of George Cukor either working at the Signal Corps Photographic Center or in military uniform. Have you seen anything like this? I'm on tight deadline at this point, so any info. would be greatly appreciated! Thanks so much, Suzanne Glickstein, Associate Producer, Thirteen/WNET, 212.560.2943, glickste@thirteen.org

(Query Nov. 11, 2004)

 

Showing training films:

My grandfather was in the Army Air Corp durring WWII. He told me his job was to drive from base to base showing training films. I would like to know if there was a certain unit that did this, or if it was a unit that was part of the Army Pictorial Service that was responsible for showing these films. Tony Gonzales, aggiegonzo01@aggienetwork .com

(Query Nov. 22, 2004)

 

Chris Mauriello, Sr.

Who is that guy? Mystery solved: Fred King wrote: "Can anyone identify the man in a white shirt standing with his hands on other men's shoulders in the picture that appears on the main page of this website? I'm sure he directed an Army training film at the base in Verona, Italy in 1962 or 63. I'm trying to track down that film." - Fred King fredking@adelphia.net The answer was, Chris Mauriello, Sr., deputy chief of Camera Branch and a long-time cameraman.

Who's that cameraman? The answer comes back sooner than expected. In the photo of E. G. Marshall appearing on the main stage, the camera operator looking through the viewfinder on the Mitchell camera looks a lot like Chris Mauriello. Deb Lipkowitz, who supplied the photo from Joe Lipkowitz's collection reports, "My dad scribbled "Mauriello and EG Marshall" in the margin of his scrapbook (in that order)." Can anybody confirm how long Chris served at APC and what positions he held? He finished his career as chief of the Motion Picture Production Section, deputy chief of Camera Branch, when APC closed in 1970.

 

497th Signal Co.

Jack Townsend writes: "Hello. I served with the 497th Signal Co (Photo) in Karlsruhe and Kaiserslautern during the period 1951-1953, as a motion picture cameraman. I would like to correspond with anybody who served in the 497th during that time. If anybody is out there, I would really like to hear from you." - Jack Townsend, 2427 S. Fourth Ave., Sioux Falls, SD 57105, 605/336-7133, jtowns@sio.midco.net

(Posted September 12, 2004.)

The 497 Signal Photo Company, a reserve unit out of Binghamton, NY, is the subject of a query from Lou Johnson. "I have tried several times to track down the 497th Photo, with no luck." The 497th was activated and located in Karlsrue, Germany, Detachment "C" to Orleans, France, and Johnson's team operated out of Verdun, France. Contact Lou Johnson, 1029 Yale River Oaks, TX 76114

 

John Borske

Michael Bowen writes: "I am contacting you on behalf of a friend who worked on several films produced at the Army Pictorial Center/Astoria Studios (his name is John Borske) late in its history. John is interested in finding out if all of the films produced by the APC at the Astoria studios since the Second World War are archived in some location that can be accessed by the public. He is also particularly hoping to find out if he can access four films he worked on: 'When the Enemy is My Prisoner'; 'Conduct of Fire: Shillelagh Weapons System'; 'Geneva Conventions and the Military Policeman'; and 'Memorial Activities Part 4: Escorting Deceased Persons.' John is not "on-line" so I would be grateful for any information anyone could offer me to share with him about these questions. "I am very grateful for your help in posting my question. I am sure the Library of Congress has a lot of stuff too -- particularly arising from the Second World War - but had no luck locating later titles. I am curious to find out if the Army itself created and/or maintains an archive of its own. All best and I look forward to hearing from folks who visit your site." Michael Bowen, New York University, mjb324@nyu.edu

(Posted June 2004.)

Ohm's Law and the Voltaic Cell

 

Carol Taylor asks, "In the early '40's my father, Captain J. Howard Bair, was the technical advisor and acted in a training film "Ohm's Law and the Voltaic Cell". George Cukor was the director. My father was given a copy of the film but age has made it unwatchable. I would love to know if a copy would be available anywhere. Thank you in advance." Carol Taylor, x-stitcher@juno.com

(Posted June 2004.)

 

Radar warnings and hazards

Michael Evans is looking for army training films related to radar warnings and hazards, which were produced from 1950-1975. "I believe that these films may have been produced at APC. I am very interested in any assistance in locating and obtaining these films. Any suggestions or ideas would be greatly appreciated. Best regards, Michael Evans, History Associates Incorporated, mevans@historyassociates.com."

(Posted June 2004.)

 

Mason General Hospital

I am looking for pictures of Mason General Hospital. The exterior of Mason was shown briefly during John Huston's film, Let There Be Light. The history of Mason is lengthy, and I will not get into it here. Please see www.edgewoodhospital.com if you want to read the whole story. If anyone can assist me in finding more pictures of Mason, please contact me at admin@edgewoodhospital.com.

 

William O. Woolridge

Herbert A. Maison MSG , USA , USASMA Class 54 is looking for pictures of William O. Woolridge, 1st Command Sergeant Major of the Army. Can you help?

 

Andrew T Kelley

I'm interested in any information about my father, Andrew T Kelley, who was a director at APC in the early 60's. Is there anyone you know who can help me or are there any places I can look to find out more about his accomplishments. He worked for Harry Cunningham. - Pat Kelley

 

John Wayne

"I am interesting and seeking a John Wayne Photo that he had taken in SAIGON, VietNam, with two young boy (16teenth). The photo had been seen on the Times Magazine (or New York Times) on 1966s. I'm one of these two young person. Thank you and best regard." builong.van@tiscali.fr

 

Frank Capra

We received a query: "Did Frank Capra work for the U.S. Army Signal Corps? Are his photographs of the D-Day landings government property or do they belong to Mr. Capra or his employer?" Director Frank Capra was commissioned as a major when the U. S. entered World War II. He influenced the shape of Army film making, as recounted in his autobiography, "The Name Above the Title." Photographer Robert Capa was a photographer for Life magazine who added to his fame with his photos of the D-Day landing at Omaha Beach.

 

Omaha Beach

Hi, My name is Seimon Pugh-Jones. I'm a cameraman .In a few weeks time I'll be portraying the part of a combat cameraman on Omaha beach for a documentary, could any body advise me on the following: 1.A name of an actual Movie cameraman that was on Omaha on the first wave. 2. What the titling slate look like? E-Mail wftva@aol.com Many thanks, Seimon Pugh-Jones

 

Army Medics

I am trying to find footage of Army Medics on the battlefield. Also any footage of Native Americans, Hispanics, Blacks and Asian Pacific Islanders . Please let me know if you have any and the method to get copies of the footage. Thanks,
Ron - Mr. Ronald F. Still, AMEDD Regimental Historian, Phone: (210) 221-8455, DSN 471, Fax: (210) 221-8697, e-mail: ronald.still@cen.amedd.army.mil Mail: CDR, USAMEDD Regiment, ATTN: MCCS-GAR, 2250 Stanley Road, BLDG 2840, Room 104, Fort Sam Houston, TX 78234-6100

 

Martin Rader

My Dad worked at The APC for 23 years. His name was Martin Rader. I would love to hear from someone who knew him. Laurie Rader Siegel-My e-mail address is AdCreator29@aol.com

 

Frank T. Argondizza

hi, i'm trying to get some information on my grandfather, frank t argondizza...i saw that larry collins mentioned him in his article..do you know how i might contact mr collins or anyone else who knew my grandfather? thanks. -andrew argondizza (The Old Webmeister notes that information on this site is pieced together from bits supplied from many sources. Often correspondents include partial names, names spelled from memory, and incomplete contact information. Thanks to those who contribute, and special thanks to those who provide contact information.)

 

John A. Gathings

Selwyn Shelby wrote: I am looking for John A. Gathings' address. We were both assigned to the 2nd Signal Platoon and the Camera Section. - Thanks, Selwyn Shelby, shelby@warwick.net

(Posted July 19, 2003)\

Paul Roales

appeared in an APC film circa 1965 and asks, "Is there anyway that I could track down that training film? I do not know its title. Is there a record of training films somewhere? Or does anybody remember when Gary Moore was there so I can pin down my TDY?" - Thanks, Paul Roales, paroales@ionet.net

(Posted July 19, 2003)

Samuel Jack Cox

J. D. Mason served from 1962 to 1964, and would like to find Samuel Jack Cox.

Mark H. Carlton

"Just ran across the APC/SCPC site with a description as I remember the Astoria facility," wrote Mark H. Carlton. "I enjoyed my time there while in the Signal Corp Motion Picture Branch. Served as a GHQ combat cameraman from the first few days after war started in Korea. Later, had the pleasure of seeing Astoria Studios while producing a series of medical programs for Lifetime around 1990. Would like to hear from fellow Korean combat cameramen." You can contact Mark by clicking here.